The Emerging Foreign Cinema Grabs Major Attention
By Abia Gill
Iranian Cinema - Movie Review
Iranian Cinema - Movie Review
Under the Shadow
(2016)
·
Director:
Babak Anvari
·
Writer:
Babak Anvari
·
Stars:
Narges Rashidi, Avin Manshadi, Bobby Naderi
Mother (Shideh) played by Iranian actress Narges Rashidi and
daughter (Dorsa) played by Avin Manshadi struggle through the post war
traumatic era where some unusual things start to happen with them. Shideh's
husband Iraj played by Iranian actor Bobby Naderi has to go as a result of an
occupational transfer to another place. While the wife and daughter behind,
face the paranormal activities back home.
The movie is a true depiction of a post revolution and war era (Tehran,
1988) where bombings and air strikes are at peak. Meanwhile they bring
something with them.
The actors Narges Rashidi and Avin Manshadi have acted so
well in the movie that at some points it gave us the real feel of a true horror
flick. The special effects and the cinematography skills of the Iranian cinema
can make the viewer sense the authentic experience of a scary movie.
"I think it brought
something with it".
"They travel on the
wind".
"They always know how to
find you".
Danish Cinema - Movie Review
The Hunt (2012)
·
Director:
Thomas Vinterberg
·
Writers:
Tobias Lindholm (screenplay), Thomas Vinterberg (screenplay)
·
Stars:
Mads Mikkelsen, Thomas Bo Larsen, Annika Wedderkopp
"I believe in the children,
Lucas!"
"I know my little girl. She
doesn't lie."
Mads Mikkelsen, the brilliant Danish actor has caught up our
attention in this Danish drama movie where he plays a Kindergarten teacher who
is abused for a false allegation leaving him disgraced around the town. His
life turns upside down with this incident that is caused within his own circle
of friends. The name of Mikkelsen's character is Lucas who struggles his life
through an unlucky occurrence that turns his life into a living hell. Lucas
loses everything he owns but finds his way back to them finally.
Lucas's best friend's six years old daughter unintentionally
accuses him for having an unethical behavior with the child. This turns out to
be an outburst around the entire town that ruins Lucas's reputation for a long
period. What happens is that ofcourse everyone in the school and at home
believes in what the little kid has said about Lucas. But it was fairly not
even a single inch true. And in the end when the child realizes that things are
getting worse she confesses to her parents that she had lied.
The movie portrays a lesson that even the slightest mistakes
can make big differences in life no matter who caused them. But in the end the
truth always wins.
Spanish
Cinema - Movie Review
Ma ma (2015)
·
Director:
Julio Medem
·
Writer:
Julio Medem
·
Stars:
Penélope Cruz, Luis Tosar, Asier Etxeandia
"We'll do this without
tears. Just help me to be strong".
I'm sure of one thing, the soul
never dies."
Penélope Cruz made us fall in love with her acting all over
again after watching this Spanish flick called Ma Ma. The theme of the movie
completely revolves around love and care (of a family). Magda (Penélope Cruz) suffers
from cancer and dies fighting the fatal disease. But she lives her life to the
fullest with all the love and care from his 2nd husband and son.
"There is such a
lovely performance here from Penélope Cruz: rich, intelligent, generous – her
best since Almodóvar’s Volver. Without Cruz, this movie might not have added up
to as much. But with her vivid presence, it shimmers and throbs.
Writer-director Julio Medem has created a very emotional drama".
Coco Chanel & Igor Stravinsky
2009
·
French Cinema
·
Director: Jan Kouen
·
Writer & Screen play: Chris
Greenhalgh
·
Stars: Anna Mouglalis, Mads Mikkelsen
When Coco tried to democratize the women’s fashion and
musical taste in French history. Coco was inclined towards a wealthy and
handsome boy Capel but due to her work load she had to concentrate on her
clothing line. With the advent of Russian Revolution there was a poor refugee
who tried to make an ends meet and was living in Paris. The man named Igor
Stravinsky was introduced to Coco by Diaghilev. After meeting Igor Coco fell in
love with him, however she invited Igor with his entire family, including his
four kids and wife living under one roof. The love and compassionate feelings
between Coco and Igor was ignite.
Dialogues:
When Coco made an entry a get together after the funeral
accompanied by Diaghilev , he introduced Coco to Igor and other fellows aswell,
Igor was star struck with her appearance and glam and started to probe about
her.
“Allow me to
introduce, Gabrielle Chanel.. Igor Stravinsky: Said Diaghilev,”
I see your name
everywhere; Igor,
Delighted, Gabrielle,
She makes even
grief seem chic, Diaghilev,”
When Igor
tells Coco about her job, while they were close enough to discuss each other’s
issues.
“You’re not an
artist Coco, You’re a shopkeeper, Igor,
Departures; The Gift of Last Memories
– Okuribito 2008
·
Japanese Cinema
·
Director: Yojiro Takita
·
Writer & Screenplay: Kundo Koyama
A devoted
cellist affiliated with an orchestra, was dissolved for some reasons and this
young man Daigo Kobayashi had to find a job to meet the ends need for his wife,
so he started his journey in search for some job and was struck to an
advertisement of a travel agency called “Departures”, however on knowing the
job description it was something very peculiar for him, it was a job for
‘Nokanshi’ or ‘Encoffineer’ who prepares the dead bodies for burial. Daigo’s
wife did not like the job but he was inclined towards his work solemnly and
started to take pride in the job , he considered himself as a mediator or a
go-between life and death , as he prepares the dead to enter in a new world.
Dialogues:
When Daigo’s
wife Mika found out what exactly her husband’s job is she literally despises
the fact that he is an encoffineer, while Daigo defends his stance for
embracing such job.
“I just want you to
have a normal job, Mika,
What’s normal? Everyone
dies, I’ll eventually die , and so will you ,
Death itself is normal.
Daigo,
“I don’t care about the
philosophy of it! Just quite the job now,Mika
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